Talent

Beatriz Chahin is originally from Katy, TX, and a proud graduate of The University of Texas at Austin. In her 15 years of living in Los Angeles, she has worked in Production on several critically acclaimed shows including Brooklyn Nine-Nine, Grand Crew, Physical and The Newsroom. Recently, she was the Production Supervisor on The Paper.

In the independent space, Beatriz served as a Producer on the feature See You Next Christmas, and the acclaimed short film, Killed in Action. 

In her spare time, Beatriz serves as a mentor for various entertainment organizations, to give back to folks starting their careers, just as she received guidance.

Hailing from bucolic Peachtree City, Georgia, Grant moved to Los Angeles in 2011 to pursue his passion for film and television production. 

With over fourteen years of field experience working on prestige television shows like Silicon Valley, Insecure, Euphoria, Shameless, and The Pitt, Grant is no stranger to managing demanding production responsibilities including: timely and accurate communication, working with sensitive information, and coordinating high-profile personalities in high-stress, short-timeline environments in offices, on set, and remote locations. 

Grant hopes to one day produce and help platform a larger diversity of queer talent, and in his spare time, he enjoys filming 35mm and Super 8mm photography.

Jenn Garcia is a Latina production manager based in New Mexico. She has production managed acclaimed independent features including National Anthem (Hulu/SXSW), Frybread Face and Me (Netflix/SXSW), and Land of Dreams (MUBI/Venice Film Festival). Beyond narrative projects, she has also served as a production manager and supervisor on national commercial campaigns for widely known brands. On studio productions, Jenn has worked as an assistant production coordinator on television and feature films, including the New Mexico Units for the upcoming releases The Smashing Machine and Preparation for the Next Life.
As a producer, Jenn’s work includes the Academy Award-qualifying short films Yochi and Pozole. She is passionate about championing stories from underrepresented communities, with a focus on multidimensional characters and authentic perspectives.

Jessie Ng was born and raised in New York City where film sets were part of the landscape. She leveraged a college internship into a full-time position in production accounting after graduation. After that, the progression to production coordinating and then supervising was natural, if not exactly easy. Now, with over a decade of experience later, Jessie is excited to keep growing and evolving in the work that she loves. She looks forward to pursuing the next step in her career: production managing and line producing.

Leah Baker has been part of the film and TV world for almost 20 years, working her way up from a Set PA to a highly sought after Production Supervisor. her varied resume, which includes period dramas like "The Gilded Age," action-packed shows like "Daredevil: Born Again," and childhood staples like "Sesame Street," showcases her versatility and adaptability. She thrives in the fast-paced, high-pressure production environment and brings grit, grace, humor, and hustle to every role she undertakes. 

Leah is a member of the Producers Guild of America and IATSE Local 161, where she serves as chair of the Coordinators Committee. 

Originally from Hershey, Pennsylvania, she now calls Queens home. Off set, she spends her time trying not to kill her plants and taking piano lessons. She has recently mastered "The Hokey Pokey."

I’m a native New Yorker, born and raised in Harlem, and the oldest of my siblings—a role that taught me leadership early on. After earning my BA in Film Production from Brooklyn College, I built my career around storytelling that bridges culture, history, and human connection, both on and off screen.

As a Production Coordinator, my experience spans acclaimed television and film projects, including And Just Like That (Season 1), Scenes from a Marriage, and most recently, Black Rabbit. Each opportunity has sharpened my skills in navigating the fast-paced world of production while deepening my commitment to creating meaningful stories.

Outside of film, I collect antique hair pomades inspired by my grandmother, a 1950s hairstylist—a hobby that reflects my love for preserving culture and untold stories. When I’m not working or collecting, I enjoy reading, gardening, or roller skating. For me, every film, object, and memory is a story waiting to be told—and I’ve made it my life’s work to tell them with care.