Talent

Los Ángeles native Adriana Limón has quietly become a key figure in Hollywood production, with a career that spans over a decade in both television and film. Born into a Mexican-American family, Limón graduated from Cal State Los Angeles in 2008 with a degree in Film and Television, setting the foundation for her behind-the-scene success.

Her career took off in 2011 when she landed a Production Assistant role on HBO’s *True Blood*. Known for her problem-solving skills and calm under pressure, Limón quickly advanced to positions like Travel Coordinator and Production Coordinator. Her résumé now includes credits on more than 20 film, TV, and digital projects. 

From *True Blood* to *Los Espookys* and the critically acclaimed *Daisy Jones & the Six*, Limón has built a reputation for overseeing smooth, efficient shoots. Today, she stands as one of the industry’s most reliable production leads, shaping projects that reach global audiences.

Angelica Lee is a seasoned Production Coordinator with extensive experience in film and television. Recently, she excelled as a Production Associate for the MTV Video Music Awards, managing logistics for the live-recorded event. Angelica has also made significant contributions to projects such as Black Barbie for Shondaland/Netflix and Fleeing for Harper Road Films, where she handled logistics and crew coordination. Her portfolio includes work on And Just Like That (Max), City on Fire (Apple TV), The Chair Company (HBO), The Desus & Mero Show (Showtime) and Betty (HBO). With a solid foundation in business affairs from HBO and a Bachelor’s in Business Administration from Howard University, Angelica blends meticulous attention to detail with a profound understanding of production dynamics.

I am a seasoned Production Manager with a proven track record in high-stakes environments, where my commitment to excellence drives every project I undertake. My approach to both professional and personal life is centered around continuous learning and growth.
In addition to my professional achievements, I am deeply passionate about creativity and storytelling. I channel my industry knowledge into personal projects, which enriches my skills and broadens my perspective. This creative drive, combined with my knack for enhancing efficiency in fast-paced settings, enables me to deliver compelling narratives and support team success effectively.

My dedication to diverse storytelling and operational excellence ensures that I consistently contribute to impactful projects and foster a collaborative team environment.

Jessica Mayfield is a Production Coordinator based in the New York-New Jersey area. With a strong background in production management, I've had the privilege of working on notable projects such as Netflix's Kinda Pregnant, Paramount Pictures' Mean Girls: The Musical, and HBO's Gossip Girl. In these roles, I successfully managed large casts and crews, met tight deadlines, and handled accounting and coding tasks.

Currently, I'm focused on advancing my career by mastering budgeting software, enhancing equity and inclusion on set, and gaining expertise in the legal negotiation processes. My goal is to continue growing and making impactful contributions in the production industry.

Kelsi Russell is a Unit Production Manager (UPM) in Television & Film currently residing in the New York Metro Area. Shortly after graduating from Morgan State University in Baltimore, MD, she secured her first series-long job on NBC's '30 Rock.' From there she climbed the production ladder on various series such as Netflix's 'Orange is the New Black' and 'When They See Us,' HBO's 'The Undoing,' and Apple TV’s 'Severance.' Her latest project 'Fallout' on Amazon Prime was released this April. Kelsi is a member of the Directors Guild of America (DGA) and the Producers Guild of America (PGA). She has benefited from the close-knit community & events as she looks forward to producing projects. Kelsi seeks to combine her passion for film with her love of travel, immersing herself in new cultures and stories that inspire her creativity.

My name is Kristina Lee, I’m a Production Supervisor and have worked in film and television for 20 years now. I graduated from Ithaca College with a bachelor’s degree in Television & Radio, and have had the privilege of working on some amazing projects including The Departed, 30 Rock, Unbreakable Kimmy Schmidt, HBO’s Crashing, and more recently American Horror Season 12 and Goosebumps Season 2. I enjoy the process of helping bring stories to life on screen and working with talented actors, writers and crews to make something that will hopefully entertain audiences. My experience has taught me the importance of communication, organization, and creative problem-solving. Every project is a new challenge and opportunity to learn and grow. As the industry rapidly evolves, I want to continue learning and developing my skills to advance my career and stay at the forefront of filmmaking and television production.

LaJonel Brown is a film and television producer based in Washington, D.C. The native of West Chester, PA, built her career on one simple motto: "You can do whatever you want—never assume barriers." 

LaJonel has taken on television  and feature film production working on shows for Paramount, Apple TV+, Netflix, AFI, Lionsgate and HBOMax. LaJonel’s focus and talent as a producer continues to manifest in independent filmmaking spanning digital, scripted series and films from the 2022 Sundance selection, WORK (directed by April Maxey) to this year’s highly anticipated film, Red Clay, executive produced by Omar Epps and Tauheed “2 Chainz” Epps (directed by Christian Nolan Jones). LaJonel's endless energy and true passion for telling compelling stories and creating positive impact is matched by the opportunities she is afforded to continue producing content across mediums. 

LaJonel holds a BA in film and media arts from Temple University.

Natalie Damico is a New York-based Production Supervisor for film and television with 20+ years of experience in the “biz”. After graduating from Winthrop University, with degrees in Theatre and Mass Communication, Natalie pursued her dreams of moving to NYC and making movies. She found her home on the production teams of a wide range of projects including Treme, The Bourne Legacy, The Fate of the Furious, When They See Us, and most recently as Production Supervisor for Succession and Kiss of the Spider Woman. Natalie’s work has taken her all over the world, where she has been tasked with leading international units in Croatia, Italy, Norway and Barbados. She excels at building great working relationships with cast and crew, handling complicated logistics, and maintaining a positive presence in the face of any challenge. As someone who values work-life balance, Natalie spends her downtime with family and traveling with her twin sister, scuba diving, camping, and exploring new places on their many adventures. She is a proud member of the Producers Guild of America and I.A.T.S.E. Local 161.